Month: October 2016

Visual Effects – Red Queen Trailer

Hello! I’m putting the YouTube links up the top here for the skippers TLDR the rest of this post.

Final Red Queen trailer.

Visual Effects Breakdown of three of my special effects.

The animatic I worked from.

I’m not actually going to be pursuing the Visual Effects pathway next year as I am choosing Animation, however, I have learned a lot this year, many skills that will serve me well in the years to come.

My Visual Effects project spanned the entire second semester, we had to conceptualise an idea for a 30-second film trailer, create the story, theme, write a script and treatment, create a storyboard, make an animatic, then film it, edit it and add special effects.

First up I want to thank my amazing friends who acted in it and helped me to film it, this wouldn’t have been possible without their crazy talent and enthusiasm, I owe you all a drink or cake or something. So thank you  Kalindi, Nathalia, Mel and Conor, you guys are amazing.

I based my whole idea around the book I had just read and really enjoyed and hope that they might make it into an actual Movie. Red Queen by Victoria Aveyard which you can find by following this link to Goodreads. I have to say thanks to my friend Kate who suggested I read it because otherwise, I might not have found it.

Below are my treatments, script, storyboard etc.

Treatment/Outline

Treatment: Red Queen v.1

We are inside a huge cavernous area, it’s impossibly tall. Below balconies where the royal and silver bloods sit a battle of epic proportion is taking place. Twelve girls battle for the right to marry Prince Calor take their place as the next Queen. Flashes of fire, and metal and water flash below an electric caged area as the girls use their magically ability to fight for supremacy.

Above in the balcony Mare, a young red blood girl serves her masters. She is dressed in a simple red cotton dress which marks her as a servant.

She serves a drink to a young noble who asks her to come sit a while, patting to his knee and indicating he wants more than just casual conversation.

Mare shakes her head, smiling demurely and backs away. Pausing to compose herself she leans over the balcony. A look of rye amusement crosses her face as she scorns the girls below. How they put themselves through such fight all for a boy is beyond her.

She glances across the battle zone expanse at the balcony which houses the Royal family, and at the Prince who had snatched her from obscurity and given her this demeaning job serving. She studies his face for a moment before chastising herself for own girlish fantasy and moves to go back to work.

As she steps back from the edge she bumps full bodily into the solid chest of the young noble who had asked her to sit with him. He grabs her arm and she shrieks and leaps back from him.

Before Mare realises what is happening to her she falls backwards over the barrier, landing with a thump on the electric barrier.

‘This is it,’ she thinks as she falls, ‘this is how I die’. (voice over?)

Her face tightens in anticipation of the electricity that is sure to flow through her body, but instead of devouring her, it embodies her, and lends her it’s strength. Sparks circle around her as she drops easily to the floor, her knees bending gently on impact with the ground.

She looks around her in wonder, but she doesn’t have much chance for reflection because the she is standing in front of Evangeline, the favourite to win the hand of the Prince.

Knives swirl around her body in a glinting display, she cocks her head and displeasure mars her otherwise perfect face. 

Both girls head off against each other, and as Evangeline rushes towards Mare to attack her lightening explodes and envelopes the entire scene.

 

Story

My story is about a girl who is treated like a slave simply because of the colour of her blood. She is red blooded and their oppressors are silver blooded. Silver blooded people possess magical powers, the kings line can create fire, but there are other magical powers like the ability to mould and control metal, controlling magnets, controlling the mind, having skin that turns to stone and many more.

My story focuses on when the protagonist first finds out that even though she has red blood also possesses a magic power. There is a fight going on in the arena between the silver blooded, the like to hold these fights to show the red bloods how superior they are. The protagonist is a servant there but she falls from the gallery onto the electric force field.

She should be electrocuted and die but instead she becomes one with the electricity and becomes the lightening girl. The silvers in the area try to kill her but she uses her new found magical ability to control the electricity around her and knocks the antagonists away.

 

Theme

The theme I want to base my trailer on is: Society and Class, Identity, Power, and fantasy.
Other films in a similar genre I like are The Hunger Games and Divergent.

 

Script

Script: Red Queen

INT. ON BALCONY OVERLOOKING MAGICAL FIGHT BELOW – NIGHT

Sounds of fighting can be heard below.

YOUNG NOBLE

              Come here, sit a while.

MARE

              I’m sorry, I’ve got to get back to

the kitchen.

YOUNG NOBLE

              Shakes head in disbelief

               Unbelievable.

MARE backs away from Noble closer to the barrier

SCREEN DIPS TO WHITE, WITH RED MOTIVE.

NARRATOR (Captions)

              In a world divided by blood and magic.

Sounds of fighting below slightly louder.

YOUNG NOBLE corners MARE AGAINST BALCONY.

YOUNG NOBLE

              I told you to come sit a while Red.

Screen dips to white, with red motive.

NARRATOR(Captions)

              The truth doesn’t matter.

YOUNG NOBLE grabs MARE by the arm.

MARE

              MARE pulls her arm from his grip.

              I Said no!

YOUNG NOBLE pushes MARE backwards.

MARE falls backwards over the barrier.

MARE VOICE OVER

              MARE is falling

              This is it, this is how I die.

Mare squeezes her eyes shut and braces for impact.

MARE lands on electric barrier.

Electricity pulses around MARE, but MARE does not die.

MARES eyes open in surprise.

SCREEN DIPS TO WHITE, WITH RED MOTIVE.

NARRATOR (Captions)

              It only matters what people believe.

INT. ARENA FLOOR – Night

Mare falls to floor and lands in a crouch. As she looks up she looks into the face of EVANGELINE. Knives magically circle her body.

EVANGELINE flings open her arms to attack MARE, MARE glances down at her hands as electricity dances around her fingers. MARE responds and electricity explodes from MARE.

SCREEN DIPS TO WHITE, WITH RISE RED AS DAWN EMBLAZONED.

Coming soon.

(If I need time add the TV idea in here – girl on glitch news cast, rise up, rise red as dawn speech)

 

Red Queen Title Hand drawn thumbnails 1 Hand drawn thumbnails 2 Hand drawn thumbnails 3 Hand drawn thumbnails 4 storyboard 1storyboard 2storyboard 3 storyboard 4moodboard

After filming my footage and editing it together I refined my idea of what type of simulation I was going to use in my project, instead of trying to emulate swords I decided that it would be better to stick to something that was more obviously ‘magical’ so instead gave them the power of creating fire. I went about this by researching how to create fire and electricity inside Maya and then how I was going to put this inside my project.

After talking to Mark and getting feedback on the clarity of my project I decided to put in a voice over that would more clearly define what my story was about.

Overall I am pleased with how this has turned out and I have learned a lot about creating a short film project from conception to final production.

Although I look at this and think to myself “IT’S SO AMATURE” I also have to stand back and give myself credit for the sheer volume of skills I have learned in such a short space of time. Skills that have thankfully been helpful in other areas of study.

I see that this lands very short of an operatic movie trailer, but I did try to keep in mind what I had learned about creating one and believe I have told a short concise story that would hopefully lead the viewer to want to watch the entire Movie.

 

References: 

Music used in animatic: https://app.box.com/s/sz2bi9hpt8icr21cumbk royalty free
Stock footage used in final production from: www.videezy.com royalty free
Sound effects sourced from freesound.org and the files provided by Jason on the K drive and created personally by me using Mix Craft Pro and Adobe Audition.
Background music by Joshua Empyre https://www.freesound.org/people/joshuaempyre/sounds/341953/

OHMYGodzilla MoCap Previs Final Assignment

godzilla Title Image

(Skip to the bottom if you just want to watch the movie.)

After hours and hours working on this assignment, it’s finally done. I’m not going to say it’s perfect by any stretch, there are quite a  few things I”d love to spend some more time on fixing but due to time constraints, two other assignments and an essay I have due in three weeks I am calling it a day on this. (Unless I have time to revisit before it’s finally due on the 25th October)

Here is the title I create for it, I feel like it sets the tone rather well.

I have learned A LOT over the last semester, this being my first introduction to Motion Capture it’s been a steep learning curve, but an exciting and enjoyable one. From my first class until now I am left enthused about the next two years and can’t wait to integrate the knowledge I have gained into my next project.

Overall I am pleased with what I have created, I just wish I didn’t zero in on the imperfections. That being said I will probably continue to work on this when time permits.

The process of MoCap wasn’t as complicated as I first expected it to be, the pipeline is mostly straightforward providing you follow the steps correctly and take the time to ensure each step is carried out correctly as each steps measure of success depends on the one that goes before it.

Having the previous knowledge of how Maya works has been helpful, and I have found that the skills I have learned in both Animation and Motion Capture have beneficial to both subjects, and hopefully means I will continue to deliver better work as I progress my learning.

I have found that taking responsibility for my own learning vital while doing this assignment, which has required watching other tutorials to also expand my understanding of the subject.

I have learned the importance of creating a strong story line from the start so when you are capturing your data you ensure a good end product that follows your script and storyline. I hope to improve these skills also. I believe that I have created an end product that kept in mind my original storyboard and also keeping in mind how this story will unfold in a 3D space.

When I undertake my next project I believe I will take greater care to film the live action from the camera angles I intend on using inside Maya, as it will help when animating characters expressions and finger placement. I will also take create care when capturing the data and fixing it. I have this strange issue with my male leads neck which I was unable to solve in every instance, taking greater care at the first steps should ensure I do not have this issue again.

Anyhow, below is my final edit. I’ll update it here if I make any more changes. Feel free to leave feedback. All constructive criticism is appreciated.

Motion Capture Data … Now what?

After spending the afternoon in AUT’s amazing motion capture room we have to fix our data in a program called Cortex. It’s not exactly hard, but it’s time-consuming and tedious and takes high attention to detail. At this point, I think our entire group started to realise the importance of capturing good data while recording.

Here is a screenshot of what cortex looks like, I actually forgot to take a screenshot, that’s how focused I was.

Cortex

cortex

After fixing the motion capture data you import into Autodesk and the real fun can begin. To cut a longish story short this where you tell the character which part of the body belongs to which dot, so the motion can be transferred to it. I felt very Dr Frankinstine as  is saw my inert characters suddenly spring to life.

Motionbuilder

You repeat this process for each character, and THEN you can import them into your Autodesk Maya scene.

Maya Scene

After that comes the tricky process of making sure their hands don’t go weird, or pass through something that should be solid. I found this part tricky trying to handle all the different animation layers and the graphs. I had quite a few times where one of their arms would bend into a totally inhuman shape.

Reposition hands

Then when you have it playing out the way you like you position the cameras. We were given specific cameras to work with.

cameras

Then it’s just a matter of creating playblasts and assembling in Premier Pro and editing your audio. I can assure you this took a lot more time than I am implying here.

This is my first edit. In my next post, I will post my final Godzilla Previs. Which I loving refer to as Ohmygodzilla.