This week marked my first supervision meeting with Greg, and the completion of my first draft of my ethics application. During this meeting we discussed the different options going forward with my ethics consideration and that before my next meeting I will have the first draft of my narrative that will drive my animated documentary forward.
Over the past few weeks, I have spent some time thinking about just what my project will look like. While my main intent is to create a piece that explores the identity of New Zealand Romany, my Master’s focus is a personal journal, and my final animated documentary will reflect this.
An issue that I keep running into is maintaining a narrow path for my research to follow. I naturally want to fly down roads that open the scope up to a PhD level amount of work, so keeping this in mind, I am focusing on 3 to 4 in-depth interview with willing participants of the Romany community.
To reach these participants I will distribute an online survey via survey monkey, in which I will give them the information regarding what my project is about, ask about their connection to being Romany, and if they would be willing to have a discussion with me.
I do not intend to include what they say in my final work, but rather how what I learned has shaped my own thinking.
During the break, I worked on some different animation techniques. I still haven’t come up with the look and feel of my animation, so currently I am still practising. I do really enjoy Chuck Jones’ The Dot and the Line, and how the animation flows easily from one scene to the next. I’ve placed it below so those reading this can see what I mean.
My own hand-drawn animation isn’t anywhere near as good as Chuck’s, so I will be considering how I can create something like this with my own limited skill.
Below are some of the animations I have been practising with.
Some other ideas I have been playing with is the concept of somehow incorporating traditional Romany art styles, like the painted wagons, or the rag carpets that my own Granny taught me to make. Romany heritage is a hodgepodge of cultures, much like how offcuts from rags and be bought together to create something beautiful.
I need to pick one theme to weave though my narrative, a metaphor of sorts, I’m not quite sure what this will be yet, but this overarching story is starting to take shape in the peripheral.
Below are some ‘buzz’ words that strike a chord with me, are threads I want to keep my mind as I pull my story together.
“Tactile, Rug, patchwork, DNA, Sum of all our parts”
Monday 2nd March 2020
Today I watched several animations on the platform Kanopy. these were the 2018 animated documentary Rezo, Four Flims by Robert Ascher (1986) and Dear Janice, an infinite animation by Adam Beckett (1974).
Director: Levan Gabriadze
Writers: Revaz Gabriadze (story), Revaz Gabriadze
This is an autobiographical animated documentary narrated, and illustrated by Rezo Gabriadze, a Georgian artist, writer, and creator or a Marionette theatre.
this documentary, which is subtitled deals with idealisation surrounding humanity, and kindness during the hard times after world war 2.
It is beautifully illustrated with a sketchy ink, and watercolour style that acts out the story told by the narrator. It has fantastic use of sound, which fills in a lot of the basic animation style. Although animated with a simple 2d side scroller style it conveys well and draws the viewer into the story.
The editing flows well between the animated narration and the live-action of the narrator.
Four Films by Robert Asher
colour, 21 min, 1986
Collection of animations by Robert Ascher, these animations use the technique of drawing and painting directly onto the 35 mm film. This put me in the mind of Len Lye, which I think (I’ll have to check) is around the same time frame that he was creating this style of animation.
The Infinite Animator, Adam Beckett 1974
I found Adam’s work while surfing Kanopy. He was an animator that was said to be full of promise when he was tragically died young. I find myself facinated with his animations loops, and the creative use of using a sketchy feel, with organic repeating shapes. His peice Dear Janice put me in mind of the notes my friends and I would pass during class, and the feeling of his work made me jot down words like childlike, lust, wonder, hopeful, expermental, lots of boobs, teenage boyee (in relation to the hearts sliding into boobs)
It had a rather chaotic kalidosope effect which I found a lot more intresting that I orginally thought when I first hit play.
I’m working through some ideas that are traped in my head. Here’s one on romany representation. I’m off to bed, but next up: kiwi head? ??♀️ ?
I had an idea while at the gym, that I could work on the 3D head I started in 2017, and use it to act out a narrative surrounding representation. Maybe trying on different versions of representations of identity. Such as, what does it mean to be a kiwi, what does it mean to be Romany, what kinds of things do you think of when you hear certain words in relation to ethnicity.